'The Graffiti of the Philanthropic Class' (updated twice)
That's what the New York Times, via an article today by theater critic Charles Isherwood, calls the various plaques and signs honoring philanthropists' donations to cultural venues, schools, hospitals, charities, libraries, parks, museums, etc.
With his personal interest focused on performing arts, Isherwood concentrates primarily on the "naming" of theatrical venues; but the implications of his lede line: "WHATEVER happened to Anonymous?" include the many other instances in which benefactors are identified by name.
One can only wonder if the Times's resentment of the practice might stem in some small part from the curious absence of the name Sulzberger on any local buildings or public facilities. Certainly, there are no hospital wings, university labs, concert halls, or charitable organizations widely known for affiliation with the Sulzbergers -- even in the weekly Sunday Styles pages of the family's own newspaper, a reader would be hard pressed to see any photo of Pinch or père among the attendees at charity balls, galas, and fundraisers. Which makes it unlikley that he and his family are anonymous donors.
Indeed, as far as a quick mental review by this lifelong New Yorker extends, there is no recollection of any public involvement of the Sulzbergers -- certainly one of the city's premier business dynasties -- in any philanthropic endeavors save one. That's the Times's annual "Neediest Cases" drive, in which readers are asked to donate money for which the Times later takes credit by turning the funds over to various organized charities.
In a city where names from Andrew Carnegie to more recent philanthropists like Weill, Rose, Paley, Tisch, and many others are firmly attached to the walls and canopies of so many public structures, would it be so terrible if the Times's Isherwood stopped whining so loudly about the recognition given to public-spirited citizens and spent his energy entreating his boss to become one of them?
Update: Reader Conrad Newburgh notes:
Greg Richards adds:
However, if, as seems to be the case, he is saying that the desire of benefactors to see their names prominently displayed is a measure of their philistinism, then I have to disagree. We all have our preferences. I am not even a particular fan of professional sports, yet I find myself offended by the naming of stadiums after corporations. What are the limits of branding in the public sphere? Presumably this is Isherwood’s question. And I don’t know the answer.
A residence for Barnard College students was dedicated yesterday to the late Iphigene Ochs Sulzberger, who had a 75-year attachment to the college as an undergraduate, alumna, trustee and benefactor."Barnard was her first love and it is here her memories should rest," said her son, Arthur Ochs Sulzberger, the publisher of The New York Times, at the dedication of the 17-story red brick residence hall designed by James Stewart Polshek.Mrs. Sulzberger died in February 1990 at the age of 97. Although she supported many causes and institutions during her lifetime, the college was chosen earlier this year to receive a $5 million gift from her four children, Mr. Sulzberger, Marian S. Heiskell, Ruth S. Holmberg and Dr. Judith P. Sulzberger.
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