John Simpson bleating about the Americans (again)

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The BBC's John Simpson or 'Johnny' —— as he's fondly known by his army of under—sexed neurotic British housewives—— is quickly gaining top spot on my list of loathsome anti—American journalists. It's taken awhile because Simpson, unlike many of his other BBC colleagues, is usually that little bit more subtle in his America bashing. He does it with a fluffy pillow as opposed to a megaphone.

 

In his Sunday Telegraph column this week —— which appropriately could be his last since the BBC is belatedly cracking down on moonlighting journos not content with the generous salaries provided by the British taxpayers —— he's penned an article confusingly titled: The British figure little in American plans for Iraq.

 

One would imagine this report to be about the US hogging all the top jobs in Iraq, or not giving enough US taxpayer—funded contracts to the poor British companies, or some other such nonsense for which John and the BBC are so well known.

 

Well, it's not, it's about something completely different. But that's no reason for 'Johnny' to change the gimmicky title of the piece.

 

It all starts off with the usual ego—burst meanderings for which Johnny is famous. He sets the scene of a smoky bohemian cafe in Iraq where he's asking the locals who they think should be crowned the new Prime Minister — predictably each has a different answer.

 

The he runs into a 'small owlish man in his late fifties reading a book' who tells him with a twinkle in his eye that he is a graffiti artist who cleverly writes Arabic — believe it or not — slogans on walls insulting the Americans. This should be hilarious to all of course, and is the cue for much breakfast table laughter from Sunday Telegraph readers. Johnny really knows how to track down a good story.

 

Quickly, Mr. Simpson moves the article along —— with the grace of an elephant —— onto the subject of Paul Bremer. Well why not? He's an American after all, and since this article is supposedly about Americans shoving the Brits out of the way, the punch—line must be just around the corner.

 

'Mr Bremer sits in Saddam Hussein's old office at the presidential palace, a superb high—ceilinged room which, because it was built in the 1940s when Iraq was still a monarchy, retains a certain elegance and sense of proportion'

 

Ah yes, the usual imagery suggesting how the American Bremer is living it up in a palace having replaced Saddam Hussein as Iraq's dictator. This is real textbook stuff from the BBC.

 

'Outside Bremer's door stands a United States marine with loaded weapon at the port; people say that he even checks the ID of Sir Jeremy Greenstock, Mr Bremer's deputy, before letting him in.'

 

Well that really is an insult to all of Britain; those darn Americans can't even tell a harmless Brit sophisticate when they see one. It's shocking.

 

Johnny goes on to say: 'That may or may not be true, but there is unquestionably a sense of humour deficit at the heart of the coalition.'  

 

Sorry, but I'm lost on that one. What has thoroughly checking ID's got to do with 'a sense of humour deficit'?

 

How funny was it for Johnny when his cameraman got splattered during the war?

I recall seeing him on CNN berating the Americans about it, and Mr. Simpson didn't seem to have much of a sense of humour then. I guess he thinks death is only funny when Americans are being blown up.

 

'Ever since Mr. Bremer was treated disrespectfully in a Panorama programme and by an interviewer for The Times, he has been unwilling to give interviews to British

journalists; to the incomprehension of Downing Street, which feels that he is failing to put the case for the coalition to the British people.'

 

So there you are folks. According to the BBC's John Simpson, the fact that Bremer is sick of whining anti—American British journalists, means that: The British figure little in American plans for Iraq, as the title of the piece says.

 

'But it is clear from talking to American officials here that Britain does not figure very large in Mr Bremer's calculations; not, certainly, with a presidential election coming up in America.'

 

Like how exactly Johnny? In what way don't the British figure in Mr. Bremer's calculations? Maybe he'll give us a clue in the next paragraph:

 

'His support in Baghdad comes mainly from the Iraqi politicians who have mostly returned from exile. Beyond that, even though a big majority of Iraqis (according to a recent opinion poll) believe on balance that they are much better off since last year's invasion, they are not fond of the American presence.'

 

Nope. All this tells the reader is that the recent poll of 2500 Iraqi's could be flawed, and in general they don't like the Americans much at all. Don't you love it how a supposedly professional journalist can totally skip a subject when he isn't making any sense? Well, don't be too surprised because Johnny has made a career out of it.

 

And just to drive his non—point home:

 

'If you watch a US foot—patrol crossing the road and holding up the chaotic traffic, you can see why. Any motorist who as much as revs up his engine is liable to be shot.'

 

So there you have it. Anybody in Iraq who has the temerity to rev their engine is dead meat. No—one could ever accuse John Simpson of exaggerating.

 

The last two paragraphs just go on to make a point about how the old Iraqi graffiti artist described earlier, thinks the British would do a better job at policing Iraq. To be fair to Mr. Simpson he rightly pours cold water on the Iraqi's naïve assumption.

 

But again, it has to be pointed out that at no time in this article is there any logical or reasonable reference as to why: The British figure little in American plans for Iraq other than Bremer's rebuff of anti American journalists. That must be what really bothered Mr. Simpson.

 

So next time you see the BBC's top man gallivanting egotistically on your television set — just turn over to any other channel where you'll likely find Bremer giving an interview to a real journalist. You can bet it won't be a Brit.

 

Posted by Michael Morris   03 28 04

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